Food Photography Brings Food to Life

I was given the opportunity by a client of mine tocommercial food photographer has to either take a
work with a photographer who specialize ingreat picture quickly or have many of the commercial
photographing food. Initially I thought the couple ofitems on hand. Or a professional food photographer
days we had planned together would suffer forcan delve into his bag of tricks.
excitement. I was wrong when I found myselfOne of the tricks within food photography, aside
fascinated by how hard it is to make food look goodfrom the usual photography tools, includes using a
enough to want a consumer to purchase it and howbrush to spread vegetable oil or glycerin on the
much difference a quality photograph can name incommercial item to create shine. Some commercial
providing mouth watering spectacle.photographers in the food photography industry
My visit was to Cooke Studio, managed bymake steam come off meals that are supposed to
commercial photographer Colin Cooke, whobe hot - one of the methods is to warm wet cotton
specializes in food photography. Interested partiesballs in the microwave and put the steaming cotton
can find a series of commercial, editorial, and still lifeballs behind the bowl or plate. Sometimes
portfolios on the website for a general sample of thephotographed ice cream is not ice cream at all, but
studio's work. It certainly takes talent to be acolored mashed potatoes to give it that just-scooped
commercial photographer, but even more to makelook that won't melt. In place of whipped cream,
food photography look so good. Cooke Studio hasshaving cream is used. For any sort of liquid shot, like
had such high profile clients like Häagen-Daas,pouring liquid into ripples, some commercial
Dove, Healthy Choice, Ecco Domani, Dannon, andphotographers will use a thicker substance that pours
Renaissance.more slowly so that it can be photographed more
As a commercial photographer, Colin Cooke has hadeasily. Meat in food photos are usually partially
to use the typical tools of the trade - lighting, angles,cooked in order to prevent them from drying out
real and digital enhancements that every commercialand shrinking - instead, they stay plump. PVA often
photographer needs to know. Food photography isreplaces milk in a shot of cereal because soggy cereal
much like shooting a still life, except a commercialdoes not look appetizing. The ice cubes you see in
photographer has two goals: the first is to makefood advertising are usually plastic with a little bit of
each final product a work of art. The second is to sellwater sprayed on for that sheen. Even fruit gets the
the item. For food photography, this means that astar treatment - some food photographers enhance
commercial photographer must make the food looka strawberry's color with lipstick.
as edible and mouth-watering as possible. Of course,All very interesting ways to avoid the pitfalls of food
in this instance, food photography is different fromphotography or to enhance the photography
most other kinds of commercial photographyexperience. In the end, the subterfuge yields tasty
because its subjects tend to go bad. As a result, aresults.