| How can a photographers most important tool be | | | | Photoshop ever existed. |
| the problem? | | | | What happens when Photoshop isn't an option? |
| Photoshop is wonderful. Ask any photographer about | | | | When Photoshop isn't an option wonderful things |
| their most important piece of software and you will | | | | happen. No not at first. At first it will be horrible. |
| hear tales of wonder about Photoshop and | | | | Dozens of sessions will pass before you feel at home |
| everything that can be accomplished with this | | | | behind the camera. At that time you will be amazed. |
| software. All this wonderful technology takes time. | | | | You will shoot your session and feel completely |
| Time away from shooting, marketing and helping | | | | comfortable. This isn't the amazing part. The best |
| clients. It's time to envision life without this wonderful | | | | part comes when you download the photographs. |
| software. | | | | You will see exactly what you expected and wanted |
| Why should a photographer pretend Photoshop | | | | to see. There won't be anything that must be fixed |
| doesn't exist? | | | | in Photoshop. You will no longer be a slave to your |
| For photographers who were born into the digital | | | | computer |
| age, Photoshop has always been available. | | | | When is the right time to even consider Photoshop? |
| Unfortunately, it has become a crutch that | | | | There is a time and a place for Photoshop. It will still |
| photographers depend on. The result of which is | | | | be the go to software for removing zits from |
| hours and hours spent on the computer fixing images. | | | | teenagers and drool from babies. But you don't need |
| Photographers everywhere are spending an amazing | | | | Photoshop to fix problems that can be solved by |
| amount of time fixing images. All this time cuts into | | | | proper posing and lighting. The right time to consider |
| profit. Profit can be pretty hard to make, so there is | | | | Photoshop is when the image is already as perfect as |
| no reason to give it away because of sloppy | | | | it can be. Its job is to enhance and make the good |
| shooting. These are images that could have been | | | | into great, not to make the poor image into an |
| created correctly in the first place, just like before | | | | acceptable image. |